Joe The Dough

Tumblog of Joe Saunders: hirsute, respectable, Manchester based, Head of Internets for Komodo, Metafilterist and sometime taker of photographs, Muxtapist, and generally amiable prick. Stretching the concept of Micro-blogging to breaking point since 2007.

Nov 14

Not many people remember….blah blah blah…Dudley Moore….Classically trained pianist….underrated…blah blah blah.

Anyway, fans of the fugue - as I’m sure you all are - will get a kick out of all juice he gets from the central motif* from “Colonel Bogey” - not to mention the false bottom(s) he sticks on it.

Also, you know, the term “Classically trained pianist” can mean both “Someone who is a classically trained pianist” and, more frequently, “A famous person who can play the piano”. Moore was very definately in the former camp - check out the part that begins at 1m35s. That, people, is not chopped liver.

* Yeah. Central Motif. Suck it, haterz.


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Nov 13

Dad, Waugh and Obama

My Dad’s a clever bloke. He’s also, as you might already know, a man of minimal fuss and frippery. He doesn’t fuck about, if that’s the expression I want.

Which is why it surprised me to get the following email from him on the 7th November. The subject was “The well turned phrase” and it was addressed to both me and my sister. (Which immediately marks it down as one of those “Sage Advice From Parent” emails.)

It read as follows:

One of the Telegraph’s hard-bitten, right wing reporters, Anne Applebaum, observed on Thursday morning that she knew it was all over for Mc Cain when she saw the lines forming outside her local polling station, and read the text that every person who is black is sending to each other this week.

“Rosa sat so that Martin could walk.
Martin walked so that Barack could run.
Barack ran so that we could fly.”

I can barely type this without a proud tear filling the eye for Rosa Parks and all the other Freedom Riders who faced billy clubs, dogs and tear gas, rather than sit in the back of the bus. (Alabama 1960-62).

Those with Brideshead Revisited to hand may like to re-read the last page; about flames being relit, and that.

Which was, you know, wierd.

My favourite parts of it are “every person who is black” - which might be a verbatim quote from the Telegraph, but could equally well be an example of one sixty year old’s well-meaning attempt at broad-mindedness.

Also of note is the bracketed “(Alabama 1960-62)” - simply because it always makes me smile that my Dad is a self-hating teacher.

Anyway, the reason that I bring it up is because, like I said, my Dad is a clever bloke. On a whim, I tracked down my copy of Brideshead Revisited and re-read the last page in the light of Obama’s victory and he’s only bloody right.

There was one part of the house I had not yet visited, and I went there now. The chapel showed no ill-effects of its long neglect; the art-nouveau paint was as fresh and bright as ever; the art-nouveau lamp burned once more before the altar. I said a prayer; an ancient, newly learned form of words, and left, turning towards the camp; as I walked back, and the cook-house bugle sounded ahead of me. I thought:

‘The builders did not know the uses to which their work would descend; they made a new house with the stones of the old castle; year by year, generation after generation, they enriched and extended it; year by year the great harvest of timber in the park grew to ripeness; until, in sudden frost, came the age of Hooper; the place was desolate and the work all brought to nothing; Quomdo sedet solacivitas. Vanity of vanities, all is vanity.

‘And yet,’ I thought, stepping out more briskly towards the camp, where the bugles after a pause had taken up the second call and were sounding ‘Pick-em-up, pick-em-up, hot potatoes’, ‘and yet that is not the last word; it is not even an apt word; it is a dead word from ten years back.

‘Something quite remote from anything the builders intended, has come out of their work, and out of the fierce little human tragedy in which I played; something none of us thought about at the time; a small red flame - a beaten-copper lamp of deplorable design relit before the beaten-copper doors of a tabernacle; the flame which the old knights saw from their tombs, which they saw put out; that flame burns again for the other soldiers, far from home, farther, in heart, than Acre or Jerusalem. It could not have been lit but for the builders and the tragedians, and there I found it this morning, burning anew among the old stones.’

I quickened my pace and reached the hut which served us for our ante-room.

‘You’re looking unusually cheerful today.’ said the second-in-command.


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Nov 12

Moneyshot: 5 minutes in.

Look, I know I’m on thin ice even acknowledging this guy, but jesus, it makes me giggle. Sounds like he’s forcing a stool.


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How big is Will?

(via Whythatsdelightful)


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Google Flu: Visualisation Porn

So loving this article on the correlation between reported cases of flu and aggregated search patterns for flu-related keywords. The thing that strikes me as strange is that anyone is surprised. We have in Google the world’s first universal resource. All human knowledge* is there, all humans** contribute to it, therefore one of the emergent properties of it will be that, analysed correctly, it can be as predictable as the individuals who made it.

*By which I mean, “more human knowledge than has ever been compiled into one place, from quantum theory to LOLDONGS

**By which I  mean, all middle class, white dudes. Which historically has amounted to the same thing.

(Loooooong ass post coming up in which I fully explore these ideas.)


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Nov 10

Mama Africa


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Nov 9

Dark Days

Dark Days is on Google video. An awesome documentary by Marc Singer [via Metafilter]

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Nov 7

Vote for Our Kirsty!

Bass DrumAn unprecedented second begging post. Never have I abused my reading public’s patience so much. (So, sorry Mum!)

Still, it’s Christmas (nearly) and it’s morning in America (nearly) so bear with me.

Me old mate Kirsty Harris has been nominated by Artvinyl for Best Album Cover of 2008 for her fucking awesome artwork on Underground Railroad’s most recent album ‘Sticks and Stones’.

It would mean a lot to me, (though probably more to Kirsty, I suspect.) if you could pop over to here and vote for her.

Mystifyingly, you have to do it the old fashioned way by entering ‘Underground Railroad’ and ‘Sticks and Stones’ into the form. My advice to you is to simply copy and paste it from this page where I have now typed the name of the artist and album twice. I live to give. I really do.

Also check out Kirsty’s work over here. She’s my favourite of all the artists.


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Nov 6

Tennyson’s poem “The Vision of Sin” contains this couplet:

Every moment dies a man,
Every moment one is born.

When he published it in 1842, Charles Babbage sent him a note:

“I need hardly point out to you that this calculation would tend to keep the sum total of the world’s population in a state of perpetual equipoise, whereas it is a well-known fact that the said sum total is constantly on the increase. I would therefore take the liberty of suggesting that, in the next edition of your excellent poem, the erroneous calculation to which I refer should be corrected as follows:–

Every moment dies a man,
And one and a sixteenth is born.

I may add that the exact figures are 1.167,” he added, “but something must, of course, be conceded to the laws of metre.”


This post is quoted verbatim from Futility Closet - one of the most heartbreakingly, foot-stampingly, jaw-droppingly awesome blogs out there.


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La Bomba (The Pump)

Sometimes you’re just in the mood for some dramatic interpretations of Spanish madrigals unironically performed by men in grey tank tops and polyester action-slacks.

[via the unutterably awesome Videosift]


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